Showing posts with label Oil on Paper. Show all posts
Showing posts with label Oil on Paper. Show all posts

Thursday, May 7, 2009

Everyday Is A Winding Road














Saved by the Headlights!
Oil on Paper

I love to getaway.... just pack my bags and go. But not all my impromptu jaunts go well. Like the time my mom tried talking me out of going to Gandhi Nagar during the floods in mid-1997. I was 19, impulsive and stubborn.

Gujarat had received more than half of its entire quota of rains in just 7 days resulting in heavy floods and water-logging. The State Government’s relief and rescue operations were taking place on a war footing with 1,500 army men and 6 Indian Air Force helicopters assisting the local authorities in evacuation. Media reports said that the helicopters had been airborne for about 50 hours and did 60 sorties dropping 23 tonnes of food packets, others essentials and carrying people to safety. Authorities claimed that nearly 50,000 people had been evacuated in the past 7 days.  

On the day I chose to travel, the death toll had crossed the dreaded 100 mark while another 25 people were suspected missing. Electricity and communication lines were down. Trains and airlines had temporarily stalled their services to the region. I managed to locate the one and only bus leaving for Ahmadabad from
Dhaula Kuan, New Delhi that afternoon. And to my utter surprise and amusement, I wasn’t going alone.  Amongst the 23 passengers lined up to board the bus, was my friend and room-mate. I’ve no clue why she followed me into this madness... Leo’s and their warped sense of loyalty, I guessed!

The 24 hour journey stretched into 30 plus hours. The incessant rain, ominous clouds, thunder claps and the strong wind knocking on our deceptively fragile glass windows finally drove in the realization – this time I’d bitten off more than I could chew. To top it all – I was responsible for my friend’s safety. I wondered what my mom must have felt watching me board the last bus to Ahmadabad... The highway was free of traffic. Not a soul in sight for miles, only the trees creaking, bending and swaying wildly punctuated the eerie monotony of the ride. Abandoned and disheveled trucks, buses, jeeps, vans and cars lined both sides of the dark highway. Our food ration consisted of a few puffed up packets of wafers – with no
dhabbas in sight and 2 bottles of water that didn’t last all that long, we drifted in and out of sleep for most of the journey. The atmosphere was somber and deathly quiet intercepted at intervals by the embarrassingly loud noise of a passenger unwrapping food, followed by self conscious chewing in slow motion. 

We arrived in Ahmadabad past midnight and except for the issue of wading in thigh-high cold water and going hungry that night, the rest of my trip turned out to be worth all the trouble and heart ache. It was actually fun! I headed to Gandhi Nagar the next morning and stayed on for a week. I spent my week wading the waterways to and fro my hostel and design school, packing up all my stuff to take back to Delhi with me. Said my goodbyes to the
dhobi, canteen’s maharaj, juice and Amlette center, Pau Bhaji walla, Rajshree theatre at the celebrated Sector 21, my faculty, classmates, seniors and neighbors and so on. I was going to start my next term back in Delhi and there would not be a reason ever to come back to this quaint and supremely friendly township in Gujarat.

The painting here is one from my days in Gandhi Nagar. It’s called “ Saved by the Headlights!” for lack of humor and creativity in the face of peril. This is a sordid incident which took place on the Gandhi Nagar and Ahmadabad Highway but hey, I’ve survived both and much more and lived to tell the tale... that's what I chose to celebrate in this painting. Everyday is a winding road and it's all good. 

Painting demystified: it’s a highway, lined with trees on both sides and the stark glare of the headlights cutting through the night fog and thick undergrowth. 

Long Bonds















The Drinking Buddies
Oil on Paper

“ I know 
there’s something terribly wrong with her. I can feel it. But should I call?!” my friend confided over drinks one evening. The story goes, he’d been dating the woman of his dreams for seven long years and then somehow things didn’t work out. It was a long distance relationship across continents. But probably or precisely because of that, he’d developed this keen instinctive sense of knowing when she needed him the most - irrespective of the expanse of land and water and time zones separating the two. Was it ESP, were they somehow connected, how did he always know? A few days later, as it turned out, he was correct. She’d been ill for a week and had to be hospitalized. He had decided against calling her but it just so happened that her sister called him and shared the news... and now she’s well, of course.

Their friends used to ca
ll them the drinking buddies ( quite self-explanatory, I presume) and this painting is inspired by the special connection these two shared and still seem to do till date.

The conversation did upset me. It’s painful to see people in pain. So as I sat around playing with paints t
hat night, I came up with a theory, if nothing else, at least it would help me sleep in peace. The theory goes - that once you love someone ( irrespective of the relationship and outcome), there’s a part of you that forever protects them...thus the womb in the center. The concentric reds, yellows and oranges are the levels of love, trust and protection you share... Running into the greens and blues which are the individual lives we continue to live. 

They were technically wine drinking buddies but at 2.00 am, I figured a beer bottle was just semantics.