Tuesday, April 28, 2009

Reflection & Moonshine


Reflections
Acrylic on Canvas
18" x 30" x 1.5"

Exploring the same theme that I had started with the Red Oaks. 













Moonshine 
Acrylic on Canvas
30" x 18" x 1.5"

This too is a continuation, the last one in fact (which I intend to put up) from this series.  

By now, the palette knife and the brushes are operating mostly on their own. The depth and textures, contrasting colors and details emerge without much fuss. I can now paint this same theme in various colors and hues, perspectives and combinations to create different moods. But by no means, did all this happen across 5-6 paintings of the same theme. If you look at Moonshine closely, you should be able to make out the textures left over from the previous painting on this same canvas. The original painting was a blazing forest of red oaks in yellow, oranges and reds... a close up of the bushy parts - leaves bursting forth in full spring bloom - instead of a long distance tranquil perspective which has been showcased here till now. Lots of experiments were conducted on unsuspecting canvases to figure out composition, color palettes, strokes and style! And it was fun while it lasted...

But I do believe it's time to shake things up a bit!  Let me move on to my most favorite style of work - Abstract Expressionist Paintings coming up on 4th May'09!  

Monday, April 27, 2009

Celestial Dance of the Spirits



















The Northern Lights
Acrylic on Canvas
24" x 30" x 1.5"

Here then, is the one I call The Northern Lights. A painting inspired by the natural celestial phenomena that’s fascinated me for years! There are tons and tons of morbid as well as inspiring stories, folklores and legends surrounding this intriguing play of lights (which are at times, supposedly accompanied by eerie crackling sounds...)

Some cultures say it’s evil and an omen of war and pestilence while others believe that their ancestors are guiding them towards “light” after death. Some even believe that only humans who have died violent deaths, as in warriors-in-wars can cross over to the Other-World that can be reached by walking this lit path. There are some who believe it’s the dead playing a match of football with a walrus’s skull or still others who think it’s the walrus’ spirit playing football with a human skull.... yes, this one beats me too.  Some consider the lights to be a reminder of the Creator who then traveled to the North Pole for some well earned rest and it’s HER fire that lights up the sky.
  
Astronomy however seems to have dashed all these beautiful and fantastical theories and explained the world for what it is and in a nutshell too – energized atoms. These non-ticketed light and sound shows are produced by the collision of charged particles from Earth's magnetosphere with Earth's upper atmosphere. The collision in the atmosphere electrically excites electrons to take quantum leaps towards Earth, converting the electron's kinetic energy to visible light. Due to atomic oxygen, red and green are the most common colors. However different gasses interacting with the upper atmosphere do produce varied hues in the form of bands, curtains or streamers of colored light.

Also known as Aurora Borealis (Roman goddess of dawn), the Dance of the Spirits and various other equally fascinating names, this ethereal light performance can be viewed in the Arctic and Antarctic regions of the earth between the months of September to October and from March to April.

More information on Northern Lights can be found at : http://en.wikipedia.org/wiki/Aurora_(astronomy)
 

Sunday, April 26, 2009

Tranquility at Silent Hill



Tranquility
18" x 30" x 1.5"
Acrylic on Canvas

Tranquility, described by a friend as “very zen!” empowers the stillness which came straight from the heart post a trip to the Silent Hill Resort, Manor on a blazing Sunday afternoon in early March.

The watered-down emerald green, turquoise and leaf green was poured on the canvas in thick squeezes and then cajoled into a surreal landscaped. The trees and the shadow in contrasting hues of deep brown, lemon yellow and white reflect the feelings of hope, faith and joy. It might not have been the best of times for a resort outing or for a road trip, but it turned out to be a spectacular find none the less!

The sprawling estate offering “rooms, cottages, bar, restaurants, water park, gymnasium, boating and even ahem... well, car park” runs parallel to Vaitarna river on the National Highway No.8, a few hours drive from Bombay. A cool, moist breeze from the river provides the innumerous hammocks sprawled under the palms and coconuts with blissful respite from the blazing sun. The resort features it’s own lake or maybe ponds would be a better word; with chatty, babbling geese and absolutely intelligent city-bred ducks and rabbits. All very friendly and approachable! The most exciting and unique attractions are the rope bridge spanning across 3 tall trees at a height of 15ft and a huge swing made of tires and rope! There was an open-air water-park and pool which we skirted due to the heat; opting instead for the Vaitarna Restaurant & Bar and cool shade of the Garden Restaurant. Here we spent the next few hours on a very ancient wood carved Jhoolah, being pampered by the attentive staff and sipping chilled beer, breathing in the tranquility and stillness for the day.

You can find out more about the resort on www.silenthillsresort.com

Thursday, April 23, 2009

The Red Oaks & Forest Fire


The Red Oaks Forest Fire
25" x 25" x 1.5"  25" x 25" x1.5"
Acrylic on Canvas Acrylic on Canvas

Does anyone really know why we feel this urge to paint or create? I'm not sure I understand the why but I do know that when the urge kicks in, I must give in to it. As I squeeze the paint from the tube directly on to a virgin canvas, time seems to stop still. I am dimly aware of humming along to a tune playing in my head or flowing with the colors as they spread their magic on the off-white surface of the canvas.... And in about a few hours, the painting’s done.

I walk away without a backward glance only to return later to the labor of my love. Much later still, I can sit back and look at the painting for hours, trying to fathom what just happened. Where did this urge come from? What was I thinking/ feeling at that moment? How do I name this painting? 
I examine the brush strokes and remember some bits and parts of struggle to create a certain effect or mix colors in a certain way – driven by rational thought mixed with perhaps instinct.

I named my first real painting – The Red Oaks. I’ve never seen a Red Oak tree in my life, doubt if they grow in India! Anyhow, the need to express continued and by the end of another few hours, using the same palette and similar style emerged the second painting of this series – Forest Fire.

The Red Oaks, today resides on the wall of a friend’s bedroom while Forest Fire leans against a wall in my now spare bedroom-turned-studio. But he is not alone, racked alongside are Tranquility, Reflection, Moonshine and Northern Lights.